Carrier and his various sonic experiments sit somewhere between drum ‘n’ bass and techno, unified by a palette of hazy deconstruction. He steps back into The Sound Room after a live set for Durations Festival in 2025, joined by Emily Jeanne, whose own skeletal propulsions fuse dark psychedelia and techno with dubwise attitude. 320 opens with similarly attuned deep-tech and dubbed-out atmospheres. upsammy carries the drum ‘n’ bass thread into The Atrium, colored by skittering halftime and IDM. Kamran Sadeghi’s sound is sculptural, building club music within the the avant-garde, ambient, and modern classical domains. Together, they christen the room’s new sound system through architectural sound design and a multi-disciplinary approach to club music. UPSTAIRS, The Mixtape Club’s Butter, who has been working in record stores since the '90s, shows us a new crate of gems. \- Public Records aims to provide a safer space. We reject all forms of discrimination, including racism, misogyny, transphobia, homophobia, sexism, and other aggressive behavior. Consent is paramount. Please exist with respect for yourself and those around you. Anyone found in violation of our rules or safer space policy will be removed from the venue. To share feedback about an incident, please email hello@publicrecords.nyc or alert a member of our team. Tickets may be available at the door based on capacity. A ticket does not guarantee entry; Public Records reserves the right to deny entry to guests that appear intoxicated or do not meet the dress code. All large bags and coats must be checked. Doors close one hour before end time.